robot love is queer

Heather, twentysomething, queerball, fangirl. movies, music and pop culture. social issues and anti-isms.

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wocinsolidarity:

hamamael:

brilliant, never before seen fantasy ideas!!!!

  • allegories for racism using white people and some race of mythical creatures who are all also white people
  • allegories for lgbt*qia identities using someone being cursed or a werewolf and they are still a cishet the whole time
  • allegories for issues people deal with using no one except cishet white people

when your society marginalizes you so much that even stories about your marginalization….marginalize you

smh

(via luckythinks91)

Please stop calling this a nation of immigrants. We are not a nation of immigrants. We are a nation of colonizers, ex-slaves, ghosts of genocide victims, and preferred immigrants.

Maurice Lucas Goes IN (via sonofbaldwin)

(via newwavefeminism)

I can’t accept that. I can’t accept that there was only one black woman in the entire film, who delivered one line and who we never saw again. I can’t accept that the bad guys were Asian and that although in China, Lucy’s roommate says, “I mean, who speaks Chinese? I don’t speak Chinese!” I can’t accept that in Hercules, which I also saw this weekend, there were no people of color except for Dwayne Johnson himself and his mixed-race wife, whose skin was almost alabaster. I can’t accept that she got maybe two lines and was then murdered. I can’t accept that the “primitive tribe” in Hercules consisted of dark-haired men painted heavily, blackish green, to give their skin (head-to-toe) a darker appearance, so the audience could easily differentiate between good and bad guys by the white vs. dark skin. I can’t accept that during the previews, Exodus: Gods and Kings, a story about Moses leading the Israelite slaves out of Egypt, where not a single person of color is represented, casts Sigourney Weaver and Joel Edgerton to play Egyptians. I can’t accept that in the preview for Kingsman: The Secret Service, which takes place in London, features a cast of white boys and not a single person of Indian descent, which make up the largest non-white ethnic group in London. I can’t accept that in stories about the end of the world and the apocalypse, that somehow only white people survive. I can’t accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen.

usbdongle:

you ever notice a lot of stuff is considered poor and gross unless its upper middle class (white) people doing it

food trucks in the 90s were the realm of taco trucks and fairground food and were always considered unhygienic and nasty until all these rich city kids started opening food trucks and now they’re “trendy” and “innovative”

riding your bike to work is only considered geofriendly if you can also afford to drive a car but don’t want to, then you’re saving the earth, everyone else isn’t somehow??

recycling old cheap stuff to be used as furniture and wearing really old clothing is a sign of poverty unless you’re doing it a certain way or wearing a certain kind of old clothing

double standards are gross and you should expose them in your life as much as possible

(via youths)

christel-thoughts:

bialogue-group:

New Documentary Highlights Discrimination Within the Black Lesbian/(and Bisexual) Community

The Same Difference is an hour-long documentary about lesbians who discriminate against other lesbians and bisexual women by Nneka Onuorah, an associate producer for BET.

“It’s almost like a gang,” Onuorah tells ELIXHER. “This is the criteria. This is what you have to do or you’re not a part of it, you’re not in it, or you’re not real. I thought that was ridiculous” … she wanted to start the conversation and shed some light on those issues …

So far, the teaser has been well received. The LGBT community wants to see it because they are living this every day…

Her fundraising goal is $15,000 and the money raised will go to production costs for her to complete the film. Onuorah does not want to only get the major city perspectives that are always seen. She wants to talk to people in states like Utah, Arkansas, and Washington … she also wants to make sure the message is heard by everyone, not just the lesbian community.

“It’s the same difference,” she says. “It’s not like we [lesbians] just face discrimination or we discriminate against each other and have stereotypes. This happens in the African American [heterosexual] community. From culture to culture, we’re doing this to each other. You can take the ‘lesbian’ out of the film and it will still be as powerful”The Same Difference is sure to spark a national dialogue around identity and the way we police one another. Give what you can to help make this important film happen. Donate here.

addressing the senseless, restrictive, heteronormative bs of the Black lesbian community?

i want it.

sidenote it’s really good to see Felicia Pearson too.

Anonymous asked: honestly curious, why does it offend you?

alexsummres:

i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism. 

all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out. 

here’s 2 of my favourite scenes from the trailer: 

image

from top to left to right:

KEEP CLEAN 保持清潔,APPLE 蘋果,ONION 洋蔥,GRAPE 葡萄,CHAIR 椅子 EDIT: sorry it says ORANGE 橘子,TOMATO 番茄

traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.

it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.” 

image

lucy shoots a guy for not being able to speak english. 

she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english. 

just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries. 

let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.

this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day. 

if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?

i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay. 

i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media. 

as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world. 

feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality. 

So I ask the American commentators, please stop announcing that Landon Donovan is the “all-time U.S. leading goal scorer.” He is not. With 57 international goals, he’s not even in the Top Five.

The all-time U.S. leading goal scorer is Abby Wambach, with 167 goals, followed by Mia Hamm (158), Kristine Lilly (130), Michelle Akers (105) and Tiffeny Milbrett (100). In fact, Abby Wambach is the all-time leading goal scorer in the world, among all soccer players, male or female.

It is physically and emotionally draining to be called upon to prove that these systems of power exist. For many of us, just struggling against them is enough — now you want us to break them down for you? Imagine having weights tied to your feet and a gag around your mouth, and then being asked to explain why you think you are at an unfair disadvantage. Imagine watching a video where a young man promises to kill women who chose not to sleep with him and then being forced to engage with the idea that maybe you are just a hysterical feminist seeing misogyny where there is none. It is incredibly painful to feel that in order for you to care about my safety, I have to win this verbal contest you have constructed “for fun.”

How Not To Review Women's Writing ›

(via giandujakiss)

One cannot escape the question by hand-waving at the past, disavowing the acts of one’s ancestors, nor by citing a recent date of ancestral immigration. The last slaveholder has been dead for a very long time. The last soldier to endure Valley Forge has been dead much longer. To proudly claim the veteran and disown the slaveholder is patriotism à la carte. A nation outlives its generations. We were not there when Washington crossed the Delaware, but Emanuel Gottlieb Leutze’s rendering has meaning to us. We were not there when Woodrow Wilson took us into World War I, but we are still paying out the pensions. If Thomas Jefferson’s genius matters, then so does his taking of Sally Hemings’s body. If George Washington crossing the Delaware matters, so must his ruthless pursuit of the runagate Oney Judge.

Ta-Nehisi Coates, “The Case For Reparations”. reading this right now.